Summaries this video Essay Example | Topics and Well Written Essays - 250 words

Summaries this video - Essay Example The analysis takes place in a sophisticated cyber lab where the process involves documentation of evidence, preservation –using a ray blocker to prevent evidence tempering- examined and extracted. Cases handled include sexual assault cases, stalking cases and domestic violence circumstances. The video provides 3 scenarios where digital evidence discovery successfully resulted to convictions. The first case involves a woman, Emily Cole and a male casualty. The police are mistaken to think that she is the victim as she claimed during the trial, but upon examination of the prior cell phone recording, it is clear that she had earlier intended to set up the man. The second case involves Luis Gutierrez, who stalks an underage girl. Later photographs are discovered leading to a successful conviction. The third case involves a child pornography culprit,  Marciene Sullivan. Sullivan is convicted to serve forty years. The application of sophisticated technology in criminal investigation in a sense is way of making voices victims of criminal acts be heard, giving closure to traumatic experiences and justice which is so much

Porter Five Force Essay Example for Free

Porter Five Force Essay Food services (high) Bargaining power of suppliers: low. Food is a low cost industry; there is only a little price difference between different suppliers. The suppliers want to sell their raw material should accept the marketing price. Bargaining power of buyers: low The buyers can decide to choose a cheaper food because there is so many food service they can choose, the industry should establish an reasonable price. Threat of new entrants: medium People like to try new food. But if the industry has their own fixed customers, and making their own cooking style, the new entrants will not have a big entrant to them. Threat of substitutes: high The food can be replaced by another better food if the people like. It is not necessities to eat only one kind of food. There must to be some same cooking style in different brand, such as McDonald’s with KFC. Industry competitors: high Food service is very popularize in our life, there is many new food entrants around us, people always like to try different food. General merchandise (low) Bargaining power of suppliers: low The general merchandise as a leading position to sell the products, as a result, suppliers power is low. Suppliers hardly affect the industry’s profit. Bargaining power of buyers: high The general merchandise becomes popular, and we have a lot of branded supermarket. Buyers can have much more choice between different supermarkets; they can compare the price to choose a cheap one. Threat of new entrants: low General merchandise cost is high so before entry this industry the entrants need lots investment. Many supermarkets already branded so the new entrants hardly to threat the old one. Threat of substitutes: low or medium There are might be many shopping way, like online shopping. However, general merchandise is the necessary part of people’s life, and also their different type of merchandise is the key factor to win. Industry competitorsï ¼Å¡high The brand is various in this industry, they need branding their own store to strengthen the impression of people.

Mackenzie King - Canadian Prime Minister :: essays research papers

The greatest Prime Minister of Canada was? Mackenzie King our 10thPrime Minister of Canada and by far one of our greatest. William Lyon Mackenzie King accomplished a lot in his twenty-0ne years of ministering our Country Canada! "It is what we prevent, rather than what we do that counts most in Government." (Mackenzie King august 26, 1936) This statement sums up the best secrets of Mackenzie King's success as prime minister, and perhaps, the key to governing Canada effectively. King's record of prime minister is sometimes difficult to judge. He had no uninteresting images, he gave no repetitive speeches, and he champions no drastic stage. He is remembered for his easygoing, passive compromise and conciliation (Gregory, page 267). Yet Mackenzie King led Canada for a total of twenty-two years, through half the Depression and all of the Second World War. Like every other prime minister, he had to possess ambition, endurance and determination to become prime minister and, in spite if appearances, his accomplishments in that role required political acuity, decisiveness and faultless judgment. William Lyon Mackenzie King was born in Berlin (later renamed Kitchener), Ontario in 1874. His father was a lawyer and his maternal grandfather was William Lyon Mackenzie, leader of the 1837 Rebellion in Upper Canada. From an early age, King identified with his grandfather, an association that influenced him throughout his political life. King studied economics and law at the University of Toronto also, the University of Chicago. After graduating with an M.A. in 1897, he pursued his studies at Harvard. In 1900, he entered the civil service and became Deputy Minister of the new Department of Labor. King joined the Liberal party and won a seat in the 1908 election. The following year he was chosen Minister of Labor in Prime Minister Sir Wilfred Laurier's Cabinet. After he lost his seat in the 1911 election, King worked as a labor advisor for the Rockefeller Foundation in the United States. He ran and lost again in the 1917 election. "Parliament will decide, he liked to say when pressed to act". Unlike most English-speaking Liberals, he stood by Laurier in opposition to conscription (Johnson, page 134). In 1919, King was elected leader of the Liberal party in the first leadership convention held in Canada. The party was still unpleasantly divided, with some Liberals in the Union government and some in Opposition. King stood on conscription two years before it won him the loyalty of Quebec.

Comedy Film Wanda

The film A Fish Called Wanda is on the AFI†s (American Film Institute) Greatest 100 Comedies list. Although this film features talented actors like John Cleese and Jamie Lee Curtis, Kevin Kline easily steals the show. Kline gives a brilliant performance as the pseudo-intellectual Otto. What makes Kline so remarkable is the way that he moves and makes his character dance across the screen. Right from the outset, in one of the film†s first scene, we see that Kline†s Otto is no normal jewel thief. Even though Otto is supposed to be working under the guise that he is Wanda†s (Jamie Lee Curtis) sister, he quickly gives her breast a squeeze in full view of Ken, one of the other robbers. What makes this movement work comically is that Kline does it so lightening fast and that if you blinked you might miss it. He has such control over his arm that he is able to extend it, and withdraw it in a matter of maybe a second. This allows for the suspended disbelief that Ken does not see him do it. Another movement that Kline makes also speaks volumes about his body control. Otto and Wanda are together in what I take to be Otto†s quarters. They are speaking excitedly about something and he leaps into the air, grabs a pipe that is suspended from the ceiling, lifts himself completely off the ground and sails on to the bed with the grace of a ballerina. This is so interesting because Kline†s Otto is supposed to a be a vulgar American bank robber. His graceful movement is evidenced again when Otto and Wanda go to the garage to claim the jewels the stole from a safe. Otto is angered by the fact that the jewels are not there. He goes over to kick a car out of anger. Rather then just kicking the tire, or burying his foot into the car door, Kline leaps into up and kicks the car twice while he is in the air. He takes what is just a simple movement and makes into something much more. While Kevin Kline is not a big man in stature and he does not look physically intimidating, or especially strong, he shows us the contrary. In one scene, he grabs Wanda by the back of her head and tosses her onto a bed like she was a rag doll. In another scene, in a jealous rage, Otto breaks into the Cabin that Archie (John Cleese) and Wanda are in. He overhears the two of them making fun of him. Otto hates to be called stupid or insulted. When Archi refuses to apologize and take back his insults, Otto takes Archie, who is a much bigger man, and dangles him by the feet out the window until he says he is sorry. While we do not see how Otto gets Archie into the position of hanging out the window, we assume that he quickly and decisively over powered him. Towards the middle of the film, we see Kline†s Otto in front of a mirror with a katana blade. It appears that he is practicing ninjitsu. This makes it plausible for us an audience to believe he has the cat-like quiet skills to be able to sneak into Archie†s house without being heard. Another example he shows of this type of body control is when angered Wanda, he grabs an 8Ãâ€"10 photo of her and punches through it without hurting his hand. We also see him practicing a Buddhist meditation technique that he says he uses for anger management. Something I find personally fascinating about Kline as an actor is the way he seems to be so centered. There is such cleanliness and crispness to all his movements, he speaks very clearly with his body. This control allows him to slip into all sorts of different characters in the movie. He very plausibly becomes a CIA agent, a homosexual, and speaks jibberish Italian, all in his attempts to seem an intellectual. Kline shows the control of an acrobat. When he goes try to Archie, he does a quick, clean backwards somersault and leap into a stride. Movement like this is so rare in film because subtly is needed in close-ups. You can read all you would want to know about Otto by the way he moves. He is someone who wants very badly to be smart. He reads Nitzche, but as Wanda says he â€Å"Doesn†t get it†. He can take control over almost any situation with his body because he is so centered. It†s this control that makes his performance so fun to watch.vJustin Issa The film A Fish Called Wanda is on the AFI†s (American Film Institute) Greatest 100 Comedies list. Although this film features talented actors like John Cleese and Jamie Lee Curtis, Kevin Kline easily steals the show. Kline gives a brilliant performance as the pseudo-intellectual Otto. What makes Kline so remarkable is the way that he moves and makes his character dance across the screen. Right from the outset, in one of the film†s first scene, we see that Kline†s Otto is no normal jewel thief. Even though Otto is supposed to be working under the guise that he is Wanda†s (Jamie Lee Curtis) sister, he quickly gives her breast a squeeze in full view of Ken, one of the other robbers. What makes this movement work comically is that Kline does it so lightening fast and that if you blinked you might miss it. He has such control over his arm that he is able to extend it, and withdraw it in a matter of maybe a second. This allows for the suspended disbelief that Ken does not see him do it. Another movement that Kline makes also speaks volumes about his body control. Otto and Wanda are together in what I take to be Otto†s quarters. They are speaking excitedly about something and he leaps into the air, grabs a pipe that is suspended from the ceiling, lifts himself completely off the ground and sails on to the bed with the grace of a ballerina. This is so interesting because Kline†s Otto is supposed to a be a vulgar American bank robber. His graceful movement is evidenced again when Otto and Wanda go to the garage to claim the jewels the stole from a safe. Otto is angered by the fact that the jewels are not there. He goes over to kick a car out of anger. Rather then just kicking the tire, or burying his foot into the car door, Kline leaps into up and kicks the car twice while he is in the air. He takes what is just a simple movement and makes into something much more. While Kevin Kline is not a big man in stature and he does not look physically intimidating, or especially strong, he shows us the contrary. In one scene, he grabs Wanda by the back of her head and tosses her onto a bed like she was a rag doll. In another scene, in a jealous rage, Otto breaks into the Cabin that Archie (John Cleese) and Wanda are in. He overhears the two of them making fun of him. Otto hates to be called stupid or insulted. When Archi refuses to apologize and take back his insults, Otto takes Archie, who is a much bigger man, and dangles him by the feet out the window until he says he is sorry. While we do not see how Otto gets Archie into the position of hanging out the window, we assume that he quickly and decisively over powered him. Towards the middle of the film, we see Kline†s Otto in front of a mirror with a katana blade. It appears that he is practicing ninjitsu. This makes it plausible for us an audience to believe he has the cat-like quiet skills to be able to sneak into Archie†s house without being heard. Another example he shows of this type of body control is when angered Wanda, he grabs an 8Ãâ€"10 photo of her and punches through it without hurting his hand. We also see him practicing a Buddhist meditation technique that he says he uses for anger management. Something I find personally fascinating about Kline as an actor is the way he seems to be so centered. There is such cleanliness and crispness to all his movements, he speaks very clearly with his body. This control allows him to slip into all sorts of different characters in the movie. He very plausibly becomes a CIA agent, a homosexual, and speaks jibberish Italian, all in his attempts to seem an intellectual. Kline shows the control of an acrobat. When he goes try to Archie, he does a quick, clean backwards somersault and leap into a stride. Movement like this is so rare in film because subtly is needed in close-ups. You can read all you would want to know about Otto by the way he moves. He is someone who wants very badly to be smart. He reads Nitzche, but as Wanda says he â€Å"Doesn†t get it†. He can take control over almost any situation with his body because he is so centered. It†s this control that makes his performance so fun to watch.

Middlemarch Comment Essay

George Elliot wrote Middlemarch in the year 1871. Middlemarch is the town where the novel takes place. George Elliot’s incentive for having started writing was to create a new, different kind of writing which distanced itself to the melodramatic novels which female authors were writing at the time. Middlemarch is a novel about a character called Dorothea, who is an inhabitant of the town and stands out for her striking beauty and surrealistic views on life. The author first described Dorothea’s character and then conveyed her attitude towards Dorothea through the use of literary techniques. She used the town of Middlemarch as the background of the plot to help portray Dorothea’s life path. Dorothea (otherwise known as Miss Brooke) is immediately portrayed as the main character that had striking beauty, which was â€Å"thrown into relief by a poor dress.† Her figure was very feminine; from her hands, wrists, to her stature and profile create a delicate feminine figure. This property she has separates her from the average towns person. Dorothea is an exceptional woman: she is smart, pious, and beautiful, and the governing principle of her character is her desire to help the needy. She is also quite intelligent. However, despite all of Dorothea’s good properties she is always viewed in comparison with her sister Celia. Celia’s wit and â€Å"common sense† seemed more normal than Dorothea’s. Hence people were often suspicious of Dorothea. This is also due to the fact that Dorothea’s strong willed personality leads her to diverge from the common ideas of marriage that others have tried to inflict on her, such as marrying an older man. Dorothea is clearly an independent woman that seeks a man with strong values. She does not want a marriage with â€Å"good looks, vanity, and merely canine affection.† What Dorothea wants is a marriage with substance and love. Dorothea is always trying to help others in her town and wherever she goes. Her presence is described as her big brown eyes in comparison with her simpler sister. George Eliot’s perception in the novel is conveyed from the point of view of a woman writing about a woman. George Eliot clearly prefers the character of Dorothea describing her as a much more beautiful, intelligent and all round good person in the book as opposed to her sister. He uses compound sentences within the structure to convey this. Eliot doesn’t fail to use this technique to portray the elaborate Dorothea. The author highlights Dorothea’s unwillingness to compromise with the world through humor, and in doing so reveals Dorothea’s naivety. This can be understood when Eliot writes â€Å"riding was an indulgence which she allowed herself in spite of conscientious qualms,† Which was started to stress Dorothea’s unconventional methods and attitude to a simpler minded individual. Even though Dorothea is the main character in the novel, Eliot seems to be very interested in her fate whilst she makes fun of her character and the rest of the world. It seems as if Eliot is also trying to persuade the readers of the book to be fond of Dorothea. This turns out to be successful, even though she is a dull character, Dorothea compensates for her lack in ingenuity thanks to her fellow residents of Middlemarch and her ability to overlook the ordinary and her authenticity, when she is her greatest enemy. This gives readers a positive reflective view of Dorothea’s character. Middlemarch is a small town that has been chosen for the main setting of the novel (hence the title). Middlemarch is a fairly typical story, which consists of a character in a small town that creates a plot out of a young woman’s life, and not following a character around throughout the book. Middlemarch is a small town, which is strikingly similar to the town where Pride and Prejudice by Jane Austen takes place. The two novels have similar properties as well, in terms of marriage. In the end it seems that Middlemarch took points and values out of the novel Pride and Prejudice as it was written afterwards. Due to the kinds of mentality these small towns in the 19th century hold in novels, we can see that Dorothea will most likely choose the wrong husband. However, the realization of her mistake in marring the man she chose would allow her to mature and become more sensible, and with her new point of view she will be able to lead her life in a more mature manner. In conclusion, we can see that George Eliot’s main focus in the novel Middlemarch is to portray women in context of a rural society, and their views on marriage. She uses marriage to show woman’s position in society during that century in such a small rural town. Dorothea is a exceptionally beautiful woman which has â€Å"childlike ideas about marriage† and is the main focus of the story which contrasts from her sister. This also shows what would happen when a woman in that century had different views on a topic such as marriage. This passage from Middlemarch, which was previously compared to Pride and Prejudice, confronts the way society reacts towards Dorothea and portrays the themes of marriage and feminism, in both cases from a female point of view